Directed by:
David YatesScreenplay:
Steve KlovesCinematography:
Eduardo SerraComposer:
Alexandre DesplatCast:
Daniel Radcliffe, Emma Watson, Rupert Grint, Ralph Fiennes, Helena Bonham Carter, Alan Rickman, Carolyn Pickles, Jason Isaacs, Bill Nighy, Bonnie Wright (more)VOD (4)
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Harry Potter and the Deathly Hallows, the seventh and final adventure in the Harry Potter film series, is a much-anticipated motion picture event to be told in two full-length parts. Part 1 begins as Harry, Ron and Hermione set out on their perilous mission to track down and destroy the secret to Voldemort’s immortality and destruction - the Horcruxes. On their own, without the guidance of their professors or the protection of Professor Dumbledore, the three friends must now rely on one another more than ever. But there are Dark Forces in their midst that threaten to tear them apart. Meanwhile, the wizarding world has become a dangerous place for all enemies of the Dark Lord. The long-feared war has begun and Voldemort’s Death Eaters seize control of the Ministry of Magic and even Hogwarts, terrorizing and arresting anyone who might oppose them. But the one prize they still seek is the one most valuable to Voldemort: Harry Potter. The Chosen One has become the hunted one as the Death Eaters search for Harry with orders to bring him to Voldemort... alive. Harry’s only hope is to find the Horcruxes before Voldemort finds him. But as he searches for clues, he uncovers an old and almost forgotten tale - the legend of the Deathly Hallows. And if the legend turns out to be true, it could give Voldemort the ultimate power he seeks. Little does Harry know that his future has already been decided by his past when, on that fateful day, he became “the Boy Who Lived.” No longer just a boy, Harry Potter is drawing ever closer to the task for which he has been preparing since the day he first stepped into Hogwarts: the ultimate battle with Voldemort. (official distributor synopsis)
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The world of magic has truly entered the darkest of times, but despite what random critical outbursts might suggest, it has absolutely nothing to do with the quality of the film adaptation. David Yates and Steve Kloves had a challenging task of transforming the "slower and more talkative" part of the Deathly Hallows into separate explosive blockbusters. The director stood out with incredible bravura, and whether the Trio is leaving home, the Tale of the Three Brothers is being told, or the horcrux is being destroyed, the magical atmosphere literally shines from the screen. However, Kloves' screenplay occasionally takes shortcuts, and if I didn't know the source material backwards and forwards, I would be quite lost. But even though Bill and Fleur become members of the Order from one minute to the next, when they never appeared in the Harry Potter and the Half-Blood Prince, and Minister Scrimgeour steps onto the scene only to quickly depart from it, the criticisms are hard to find in the outcome. The overall impression for me screams that from four hundred pages full of expectations of great things and the fulfillment of smaller ongoing goals, an epic fantasy has been created full of intoxicating moments and such sincere private drama that it takes your breath away. Harry Potter and the Order of the Phoenix and Harry Potter and the Half-Blood Prince have now gained a successful companion, and if David Yates was the king after the previous installment, he is slowly running out of room to climb.
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I saw the first four Harry Potter films and stopped there, as I’m not a fan of the series. I went to see Deathly Hollows: Part I only because of its attractive billboards. And I was bored to death. The beginning of the series introduced us to the characters and the story’s lovely environment and, in the case of Alfonso Cuarón’s contribution to the series, brought us a unique, wonderfully dark film adventure that showed a lot of inventiveness on the director’s part. The films had their own stories and always took the audience somewhere. In comparison to them, Deathly Hollows: Part I is only a protracted masturbatory porridge, slavishly and without any creative input following the original book, the qualities of which I don’t know, but if they’re anything like this film, I’ll gladly pass.
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I feel like this doesn't have much to do with good old Harry Potter anymore. It's all a bit too dark and the Hogwarts atmosphere is sorely lacking. I still respect Harry as a fan though. I'm just of the opinion that a "new" viewer won't be impressed by this installment (at least the first part). At times I feel like I'm watching a Canadian thriller. I give it 4 stars, but on a completely different scale than the previous installments. But I'm looking forward to Part 2 anyway.
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Watching teenagers run around in the woods for 140 minutes is borderline torture. David Yates rips off Nolan's Batman themes at every turn, but doesn't understand that that alone doesn’t make a good movie. Because when the actors don't have anything to work with, and there is not a single memorable scene that will make it worthwhile, the result is more than trivial. An unfinished, poorly made film with no drama, where they drown in lavish camera panoramas and robust music, forgetting everything else that made the Harry Potter franchise a success.
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I am not going to complain about this movie, but I have to point out that I am so exhausted from the whole series that I would gladly accept Voldemort's victory. I have previously mentioned that, from my point of view, the movie series should have had only four parts, as this fully demonstrates a lot of filler from the books. Additionally, since the producers decided to divide the last book into two movie parts for higher profits, this flaw is even more evident in this case. Logically, the film does not escalate as it should and thus lags from a dramatic perspective. On the other hand, it once again scores points with the big budget and the care of the film studio, so Harry Potter fans will not be disappointed. Overall impression: 50%.
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