Directed by:
Jean-Marc ValléeCinematography:
Yves BélangerCast:
Matthew McConaughey, Jared Leto, Jennifer Garner, Steve Zahn, Denis O'Hare, Griffin Dunne, Kevin Rankin, James DuMont, Philippe Radelet, Juliet Reeves (more)VOD (2)
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An imperfect man fights for survival during an uncertain time in America. Inspired by true events, Ron Woodroof's story of strength is told in Dallas Buyers Club, directed by Jean-Marc Vallée from an original screenplay by Craig Borten & Melisa Wallack. Spirit Award winner Matthew McConaughey portrays the real-life character, whose self-interest is galvanized into something much more. A son of Texas, Ron Woodroof is an electrician and rodeo cowboy. In 1985, he is well into an unexamined existence with a devil-may-care lifestyle. Suddenly, Ron is blindsided by being diagnosed as H.I.V.-positive and given 30 days to live. Yet he will not, and does not, accept a death sentence. His crash course of research reveals a lack of approved treatments and medications in the U.S., so Ron crosses the border into Mexico. There, he learns about alternative treatments and begins smuggling them into the U.S., challenging the medical and scientific community including his concerned physician, Dr. Eve Saks (Screen Actors Guild Award winner Jennifer Garner). An outsider to the gay community, Ron finds an unlikely ally in fellow AIDS patient Rayon (Gotham Independent Film Award winner Jared Leto), a transsexual who shares Ron's lust for life. Rayon also shares Ron's entrepreneurial spirit: seeking to avoid government sanctions against selling non-approved medicines and supplements, they establish a "buyers club," where H.I.V.-positive people pay monthly dues for access to the newly acquired supplies. Deep in the heart of Texas, Ron's pioneering underground collective beats loud and strong. With a growing community of friends and clients, Ron fights for dignity, education, and acceptance. In the years following his diagnosis, the embattled Lone Star loner lives life to the fullest like never before. (official distributor synopsis)
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Reviews (15)
Matthew is on damn good form and he’s delicious in this winning movie. We’ve seen the topic of AIDS and struggling against villainous corporations (“Fuckin’ FDA") many times before, but I can’t remember that it’s ever been served up with such style before. The life that his sickness brings with it is surprisingly fuller and more interesting - after all, he went to Japan and founded a fairly successful business. In terms of acting, this is top league on top form, Jared Leto was more convincing as a woman than as a man! It’s for personal consumption.
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A very intense film about people with an expired warranty and how the state treats them. As I have first-hand experience with this subject, it is very close to my heart and the writer and director have handled it really well. I'm pleased to see that Matthew McConaughey, after all the disasters he's been in, is back to proper acting, further exemplified by True Detective. An excellent film with a very depressing atmosphere and no unnecessary melodrama. Exactly what I needed.
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Academics and the majority of people were once again fooled by the placebo, similarly to some of the patients in this film. The serious existential theme darkened their minds and for two hours, the classic standards of cinema ceased to function, meaning that what we usually see as bad in other films does not exist here. This film is small, modest, and undoubtedly serious and alarming in its theme, forcing us to reflect. However, besides brilliant performances, the witty dialogues, and the excellent costumes, there is nothing so revolutionary about it that would justify treating it as the film of the year. Ultimately, it doesn't say that much, though it should also be noted that it doesn't impose or force anything. So, as a historical reconstruction it’s okay, but it falls far from being a captivating film. I wasn't thrilled; I was satisfied, without being extremely enriched.
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Ron Woodroof is a worker and a rodeo fan, but above all, a lover of life who knows how to enjoy it and doesn't deny himself anything. Drugs are easily available, the alcohol flows freely, and the girls who hover around the rodeo riders are usually willing to spend a pleasant moment in a trailer, entertaining their admirers and dispelling boredom. It's the early 80s, the time of the oil shocks, the bitterness of the Vietnam defeat, and civil activism are gone. The era of Reaganomics, yuppies, and newfound confidence has arrived. Nothing is impossible, and the motto of the day is fun. Like a bolt out of the blue, the news of Ron's AIDS diagnosis hits him after an injury. According to the doctors' experience, he has only 30 days left to live. His previous lifestyle and all the values he held dear are suddenly gone. But instead of passively waiting for death, he decides to fight it. Not only with the disease but also with the system that dislikes those who stand out and seek alternative paths. Ron becomes an advocate for unapproved treatment methods and unauthorized drugs. The initial 30 days turn into hundreds and then many years. The approach to AIDS changes, society changes, and the hero of the story changes too. From a southern roughneck and homophobic man, he becomes someone who understands the necessity of tolerance and can navigate among members of sexual minorities. Dallas Buyers Club is a drama based on a powerful story and a controversial, unforgettable main character. I would say that by choosing the unpleasant theme of human suffering and death, an unattractive storytelling style (sentimentality could have been used more prominently or cynical black humor), and above all, the performances of Matthew McConaughey and Jared Leto in the main and supporting male roles, Dallas Buyers Club ranks among the most significant films of the season. I have heard it said about American actors that they are willing to undergo practically anything for the sake of a role and reputation, and McConaughey proves that this is true. From a pretty boy who recently charmed in romantic comedies, he has transformed into a walking advertisement for a crematorium, where you could count every rib on his chest on the spot, and whose determined eyes still blaze from his gaunt face marked by stress. This is, without exaggeration, an outstanding acting performance worthy of an Oscar. Overall impression: 90%.
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This is actually some proper film-making craftsmanship. Matthew delivers an almost perfect acting performance and Jared Leto has no problems keeping up with him. They both play people infected with the HIV virus. But they don’t merely portray them, they truly experience the characters. Matthew is getting skinny right before our very eyes. And Jared, skinny as he already is, changes the color of his skin in a pretty scary manner. I tip my hat off to them for this. With Jared, I’m really fascinated by how far he is willing to go. Since he is a singer, I don’t think he can afford to change his body weight so radically. I’d really love to know whether this affected his musical career in any way. If nothing else, he proves what an actor he truly is. If I was on the Oscars committee, I would have a clear idea of whom to give the golden statues. Matthew proved in 2013 just what good an actor he is and Jared put on such a show that if I were to see him in another movie, I’d think that he’s crazy. But as I said… a tip of my hat. You will find the story repulsive at first, gradually, you will notice the changes in the way the characters act. And these individual moments will keep on piling up until you get to the ending and you will realize that you won’t get to see such radical a transformation in many movies.
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