Directed by:
Anton CorbijnScreenplay:
Rowan JoffeComposer:
Herbert GrönemeyerCast:
George Clooney, Bruce Altman, Thekla Reuten, Paolo Bonacelli, Violante Placido, Filippo Timi, Irina Björklund, Samuli Vauramo, Björn Granath (more)VOD (2)
Plots(1)
As an assassin, Jack (George Clooney) is constantly on the move and always alone. After a job in Sweden ends more harshly than expected for this American abroad, Jack retreats to the Italian countryside. He relishes being away from death for a spell as he holes up in a small medieval town. While there, Jack takes an assignment to construct a weapon for a mysterious contact, Mathilde (Thekla Reuten). Savoring the peaceful quietude he finds in the mountains of Abruzzo, Jack accepts the friendship of local priest Father Benedetto (Paolo Bonacelli) and pursues a torrid liaison with a beautiful woman, Clara (Violante Placido). Jack and Clara’s time together evolves into a romance, one seemingly free of danger. But by stepping out of the shadows, Jack may be tempting fate. (official distributor synopsis)
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Reviews (9)
George Clooney just loves the Italian countryside, and no other film better illustrates the reason for that (or in a more beautiful way)... Anton Corbijn is a director with renowned artistic skills. At first glance, The American is quiet and sad portrait of a hit man who, at first glance, is also quiet and sad. It’s not the first time we have seen such a story, but it’s the first time it has been filmed in such an intimate fashion, without the need for action, but with a constant sense of restlessness and uncertainty. It is a great fit for a lonely moment spent over a glass of whiskey. Let us appreciate new views on old things. Originality is (and increasingly will be) rare in films.
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The most stylish film of the year so far. Slow and simple? Yeah, but at the same time very well made, atmospheric and riveting. After some time, I’m raising the rating from four to five stars, the experience grew in me. Very nice alternative. Edit: I bring it back down to four, those five stars were too much :)
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I wouldn't say it's a fundamental film of today's era, but considering the significantly different reviews from users, it's a clear sign that a certain part of the fans demands a return to the film style of the 70s, which included a significant stream of content-experimenting creations, not based on plot but on atmosphere, acting, symbols, and hints. The American reminds me of the arthouse thrillers of the French New Wave, and I remembered Godard's film Breathless while watching it, where characters without a past also appeared and the audience clearly felt that they had no future either. Fans of dynamic action and a packed plot will definitely not be satisfied with The American, but those who want to enjoy playing a game with the director and top-notch acting may be content. Personally, the screenplay disappointed me a bit, as I expected more polished and fundamental dialogues, for example, between Jack and his psychological counterpart, the local priest, or between Jack and his successor Mathilda. The love story between a contract killer and a local prostitute is also a bit cheap. Overall impression: 75%.
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The American seems somehow not anchored in time. It could easily have taken place sometime during the seventies or eighties and it would have worked just fine. Simply old school. Beautiful camerawork, Corbijn’s solid directing and excellent Clooney. Violante Placido is so beautiful it hurts. I have the biggest problem with how interchangeable the whole movie appears. In reality, it’s somewhere between 3 and 4 stars, but maybe I’ll change my mind after I watch it again.
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A really big surprise. While the text on the DVD cover called for some kind of action spectacle, the trailer suggested a much more intimate and atmospheric story, and I was hoping that's what The American would be like. It was. George Clooney is great. Actually, not only that, he's more brilliant than ever. He inhabits the skin of a hitman perfectly, playing the quiet, slightly paranoid man in such a way that you believe he really can make a silencer out of a few bits of junk from the garage and that he is a sharpshooter par excellence. That’s the first huge plus. The second reason I liked The American so much is the style in which it is shot: very old-fashioned, and I like that. Plus all the beautiful shots of the Italian landscape and the narrow streets of the sleepy town, the believable romantic admixture, the dialogues with the priest... Everything was perfect. A one hundred percent "drama/thriller" film that you will also relax whilst watching. You just can't expect an action flick from it.
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