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A nice rest in a state mental hospital beats a stretch in the pen, right? Randle P. McMurphy (Jack Nicholson), a free-spirited con with lightning in his veins and glib on his tongue, fakes insanity and moves in with what he calls the "nuts." Immediately, his contagious sense of disorder runs up against numbing routine. No way should guys pickled on sedatives shuffle around in bathrobes when the World Series is on. This means war! On one side is McMurphy. On the other is soft-spoken Nurse Ratched (Louise Fletcher), among the most coldly monstrous villains in film history. At stake is the fate of every patient on the ward. Based on Ken Kesey's acclaimed bestseller. (official distributor synopsis)

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Reviews (13)

agentmiky 

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English As a local film reviewer who has been writing movie reviews for about 7 years, it’s quite a shame not to have written something about this 45-year-old classic. I must start by saying that Jack Nicholson is a true acting genius. He has proven this in many films, and here he confirms that when he fully immerses himself in a role, he can deliver a legendary performance that will be recorded in cinematic history. His character, McMurphy, who treats everything with humor, is full of biting remarks and always has the last word, is one of the most exquisitely written characters, and it is even better translated to the screen. But besides him, the rest of the cast doesn't just play second fiddle; the supporting characters also shine in many ways (for example, DeVito as Martini is a great showcase of his talent). Louise Fletcher, most likely a deserved Oscar winner, was fascinating to watch as her anger and indignation slowly boiled over with the increasing runtime, culminating in an inevitable explosion. And the ending is truly a genius affair; the scene by the bed with the Chief was emotionally overwhelming. It was expected, but Miloš Forman presented it with such mastery that you were left with your mouth agape. Literally. A powerful film that leaves an even stronger impact. For me, it gets 90%. ()

novoten 

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English Clearly the best of Miloš Forman, the best of Jack Nicholson, and one of the most works I most admire. If I had to objectively state one film that deserves the highest rating from everyone, I would say it is indeed One Flew Over the Cuckoo's Nest. The actors compete over who does the best acting job – whether it's Randall, the head nurse, or any of the other crazies, they are all incredibly believable. For me, the best was the Indian, also because of the ending, where my jaw dropped and stayed hanging open for quite some time. ()

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J*A*S*M 

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English Excellent, but I can’t give it a full score, One Flew Over the Cuckoo's Nest didn’t impress me enough for that. Besides, I doubt the film was supposed to make me sympathise with the character of Louise Fletcher, and that Nicholson’s character was supposed to get on my nerves. The nuthouse is a brilliantly depressive setting, but the film never managed to transmit that very well to me as a viewer. It just failed to leave me with that unique 100% impression. 85% ()

Stanislaus 

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English What more can I say about this cinematic gem when practically everything has been said. This film stands especially on the performances of the many actors involved: the bohemian Jack Nicholson, the devilish Louise Fletcher, the good-natured Will Sampson, the dim-witted Brad Dourif, all of whom give wonderful performances. It is because of them, and the oppressive mental hospital setting that almost always works, that this film the most celebrated Czech director is a cinematic gem of the highest quality. In short, a beautiful made film for which we can be truly grateful to Miloš Forman. ()

Goldbeater 

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English An excellent film in all respects, which, like wine, matures in your head over the viewings. The combination of Milos Forman being on top form and the frantic acting of Jack Nicholson is simply mesmerising. And I could point out every aspect of the film in that same way. In short, a truly legendary piece of work. ()

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