Directed by:
Tommy WirkolaCinematography:
José David MonteroComposer:
Christian WibeCast:
Noomi Rapace, Christian Rubeck, Willem Dafoe, Glenn Close, Pål Sverre Hagen, Vegar Hoel, Stig Frode Henriksen, Marwan Kenzari, Jeppe Beck Laursen (more)VOD (1)
Plots(1)
In a not so distant future – where overpopulation and famine have forced governments to undertake a drastic One-Child Policy – seven identical sisters live a hide-and-seek existence pursued by the Child Allocation Bureau. The Bureau, directed by the fierce Nicolette Cayman, enforces a strict family planning agenda that the sisters outwit by taking turns assuming the identity of one person: Karen Settman. Taught by their grandfather who raised and named them – Monday, Tuesday, Wednesday, Thursday, Friday, Saturday and Sunday – each can go outside once a week as their common identity, but are only free to be themselves in the prison of their own apartment. That is until, one day, Monday does not come home... (Locarno Festival)
(more)Videos (4)
Reviews (11)
The idea was good, but it was handled reprehensibly. The whole plot and the twist were as embarrassing as Glenn Close's botox. The only thing keeping it afloat is Noomi’s performance, but unfortunately she tried her best in a crappy movie. The last quarter of an hour is like a bad parody, does anyone still enjoy these copycat movie endings?
()
A lively sci-fi movie with abundant gory moments. Unexpected… until I realized that it was filmed by that sadist Wirkola. The overall concept of the world and this time around the baddies have good intentions. The surprising outcomes and twists work excellently. It's just a shame that the nearer the film gets to the end, the less logical it becomes. Still a great result with such a small budget.
()
Amazing thing and probably the surprise of the year! The trailer for What Happened to Monday didn't really grab me, but the film itself surprised me even more. Upon discovering that the film was directed by the director of the excellent Dead Snow 2 and Hansel & Gretel: Witch Hunters, I could already tell that this was going to be my cup of tea, and it was. At first I was worried that it was going to be a talky, futuristic, political drama, which incidentally has a perfect idea that could easily work in our world, but after half an hour the film turns into a very action packed and frantic ride. It’s basically a hunt on the sisters, all of whom are combat proficient and there is no shortage of rough contact fights with amazing cinematography and solid brutality. The pace of the film is very fast, it's entertaining enough, there are a few surprise twists, though the final one will be predictable to the more astute viewer, but I had the most fun I've had at home watching a film in a long time. I didn't expect it. And Noomi Rapace in apparently the role of a lifetime! 85%
()
What's even better than a movie with Noomi Rapace? A movie with seven Noomi Rapaces. And while the movie is original, quirky, gimmicky, funny, and surprising, I won't be mad at it for the few moments that just made me raise my eyebrows in amazement (typical example – the microwave sprays and how it takes exactly one minute for them to explode).
()
At first glance, an attempt at something fresh and new, plus drawing on the tried-and-true, with a repressive regime like Hunger Games and angular futuristic cars like The Island. It can be argued that the visual opulence is a bit low-key and that 2073 looks more like 2037, but what can be done for half the budget of a major blockbuster? The B-movie casting (with the exception of two names) is also hard to disparage. Unlike Glenn Close, who is off, Noomi Rapace does a good job again. Firstly, as an action heroine against her will and secondly, portraying 7 different characters is probably not very easy, plus the fact that only Charlize Theron can play such a physical role of a "male heroine" today. Except for the last 20 minutes we have a pretty decent mix of Bourne and something with a gloomy social post-apocalyptic atmosphere. The ending is botched and the twist predictable.
()
Ads