Directed by:
Jérôme SalleCinematography:
Denis RoudenComposer:
Alexandre DesplatCast:
Orlando Bloom, Forest Whitaker, Regardt van den Bergh, Patrick Lyster, Tanya van Graan, Danny Keogh, Natasha Loring, Brendon Daniels, Lise Slabber (more)Plots(1)
As chief of police, Ali Neuman investigates the mysterious circumstances surrounding the macabre murder of the daughter of former rugby champion Stewart Weitz, he makes a startling discovery. A drug whose composition is unknown appears to be the cause of the homicide... (official distributor synopsis)
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Reviews (8)
Despite all the sun, this is a heavy crime movie on the edge of noire and the modern Scandinavian school which capitalizes (and slightly trips up) on holding up a mirror to the consequences and scourges of apartheid. It “capitalizes" in the sense that thanks to this, this isn’t just another bleak movie “about some horrors". It “trips up" in the sense that in the last third, the creators try too hard to make it “overlap" much more than the classic limits of the genre can take. It wouldn’t be a problem in City of God, Elite Squad or Metro Manila, however they aren’t primarily dark crime movies clinging tightly to all of the (un)written rules of the genre. P.S.: Who would have guessed that the role of the vagabond macho wreck of a cop would fit Bloom so snugly?
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It is a movie that has good moments, which I liked about it. The investigation didn't really grab me that much, but there are still scenes that can draw you in, and especially the performances that will keep you engaged. I didn't believe that Orlando Bloom would be able to do it, but this badass cop really worked for me in his portrayal.
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After a long time, this was finally a pretty solid French crime movie, which actually has very little to do with France. And that’s mainly because it takes place in South Africa and the surrounding countries. It’s definitely pretty rough, which is good. It’s a pity though that it’s rough mainly at the start and then it gradually eases up. Nevertheless, this easing up is still made up for by the fact that Orlando Bloom is a true actor in this one – he puts in a performance that you would never have thought he was capable of. So, for me, Zulu is an absolutely unique movie with an original name that I won’t forget for a while for several reasons.
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The subject and the script actually only recycle formulas that have been used many times and are not surprising, moreover, the outcome is predictable and during the final scene when settling the score with the villains, the viewer will recall that Whitaker remembered Orlando Bloom's performance in The Hobbit and, just like Legolas, he mercilessly mows down orcs, his detective instills a sense of satisfaction in combating evil. By the way, I have a problem with the character played by Orlando Bloom. His undisciplined cop, drunkard, and womanizer is not exactly likable, which wouldn't be a problem if the screenwriter and director weren't aiming for the exact opposite and trying to shape him as a likable rogue. Zulu differs from typical American genre productions in its setting in the exotic environment of South Africa and, above all, in its raw depiction of brutal violence. Unfortunately, I have to admit that even the presence of my favorite Forest Whitaker doesn't bring it up to more than 3 stars and a 60% overall impression. I cannot consider Zulu a realistic drama, as it drowns too much in genre clichés.
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A brave effort by the French, keeping their typical traditions of hard, raw and direct crime dramas, and are not afraid to experiment a bit (exotic South Africa). It’s a very rough and explicit blood fest in places, but unfortunately it is entertaining mainly because of its form and style, and the performances. The script is too simple and generic. The surprisingly well matched Forest Whitaker-Orlando Bloom duo is a delight. The latter in particular portrays a character of a perpetually drunk and stoned cop, the exact opposite of his acting career so far, and I have a feeling that he enjoyed it quite a bit.
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