Burning Bush

(TV movie)
  • Czech Republic Hořící keř (more)
Trailer 1
Czech Republic / Poland, 2013, 2x109 min (Alternative: 206 min, TV version: 84+72+78 min)

Directed by:

Agnieszka Holland

Screenplay:

Štěpán Hulík

Cinematography:

Martin Štrba, Rafał Paradowski

Cast:

Táňa Pauhofová, Jaroslava Pokorná, Petr Stach, Igor Bareš, Vojtěch Kotek, Adrian Jastraban, Patrik Děrgel, Ivan Trojan, Jenovéfa Boková, Denny Ratajský (more)
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Plots(1)

Full of star actors, the drama Burning Bush is based on real events and real characters. Its main character is lawyer Dagmar Burešová (Tatiana Pauhofová), who decided to defend Jan Palach’s mother Libuše (Jaroslava Pokorná) and her brother Jiří (Petr Stach) in a seemingly hopeless court case. The cause of the libel suit filed by the family of the dead student was the scandalous accusation by Communist MP Vilém Nový (Martin Huba), who spoke out at a Communist party meeting in Česká Lípa and downplayed Palach’s sacrifice with some nonsense about “cold fire”. The husband of the courageous lawyer – both of them are forced to cope with the pressure of pro-Soviet collaborators – is played by Jan Budař. (HBO Europe)

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Trailer 1

Reviews (11)

novoten 

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English Two of the most difficult tasks, namely avoiding thoughtless accusation and not falling into The Search for Lost Time, came out with flying colors. From getting to know individual characters, I went through the effort of at least partial understanding of the more negative ones until I was hanging on every word or gesture of Pauhofová and Pokorná, and just wished that this story could have a different ending than what history had determined for it. I'm just sorry how many motives Vojta Kotek takes on his shoulders in the student line. There are just too many of them, and what's worse - he can't handle a single one of them with dignity. ()

NinadeL 

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English Agnieszka Holland did not resist her emotions and her involvement became the biggest obstacle to the entire topic. The worst thing is the interweaving of real documents and endless shots of Táňa Pauhofová absorbing various chapters of history. ___ Burning Bush is actually not about Palach, but a female film by a director about the superwoman Dagmar Burešová, who despite a very demanding and crucial role in the Palach case has no problem defending the interests of the Palach family, as well as raising two little girls obligated to attend kindergarten, being a perfect wife and moral citizen. She is charming in every situation, her make-up never disappoints, her hairstyle stays in place and if she gets hit by a cobblestone during a protest, she is even more beautiful than in the courtroom. Pauhofová's perfect interpretation does not allow a single human dimension in the character of this infallible lawyer, who even though destroyed her husband's career and only gave Palach a certain hope, everything was forgiven, simply because she decided to stand on the right side of the barricade. ()

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lamps 

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English 200 minutes of exquisite filmmaking and beautiful sets only to learn that the communists were/are manipulative and heartless bastards? The first two episodes work perfectly well, script-wise and dramaturgically, and the story, spread among many characters, unfolds as smoothly and casually as the life of the Sultan of Brunei, but in the last part things get unfortunately relegated to a poorly built-up trial that gives too much space to politics and suppresses the real human emotions so abundantly present in the previous two episodes. Nevertheless, it’s an exceptional achievement in terms of direction, music and especially the actors, meeting almost world-class parameters for a strong biopic. This is the path that Czech cinema should take, and the international awards will certainly not be long in coming. 85% ()

Isherwood 

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English Here the Lord's messenger appeared to him in a blazing fire from the middle of a thorn bush. Moses saw that the bush was on fire but was not consumed. [Exodus, 3.2] The masterful dramatization of events, the echoes of which still haunt us today. Štěpán Hulík chose the most difficult path, examining Palach's act from several angles. He seamlessly transitions from personal testimony to a conspiracy thriller and then to a legal drama, with each having its firmly anchored place in the plot. The way director Agnieszka Holland observes the whole situation is admirable because instead of serving a cheap epitaph of an extreme act, she offers an analytical probe into the era, which primarily calls the nation's conscience into question, a nation known for its very short memory. A multitude of excellent actors (I personally salute Jaroslava Pokorná), a multimillion-dollar budget squeezed to the last drop, and a cinematic event that reminds us that not all films are meant only to entertain us. I can't remember the last time something resonated so strongly within me. ()

kaylin 

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English The most interesting part is the first one when it's still about Palach and his fate. What follows in the remaining two parts is a somewhat tedious exposition that the communists were real bastards and managed to manipulate everything they wanted to. And so Palach's and Zajíc's actions feel really unnecessary. It's filmed excellently, and Pauhofová was perfectly cast. But it’s four hours long? That's a bit much, considering the central conflict is unwinnable. ()

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