Directed by:
Brad PeytonCinematography:
Steve YedlinComposer:
Andrew LockingtonCast:
Dwayne Johnson, Alexandra Daddario, Carla Gugino, Colton Haynes, Ioan Gruffudd, Archie Panjabi, Paul Giamatti, Kylie Minogue, Vanessa Ross, Morgan Griffin (more)VOD (4)
Plots(1)
After the infamous San Andreas Fault finally gives, triggering a magnitude 9 earthquake in California, a search and rescue helicopter pilot (Dwayne Johnson) and his estranged wife make their way together from Los Angeles to San Francisco to save their only daughter. But their treacherous journey north is only the beginning. And when they think the worst may be over.... it's just getting started. (Warner Bros. US)
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Reviews (13)
My guess is that the screenplay was rewritten six times which, as a result, is not able to maintain even a hint of consistency / escalation in both storylines (family / seismologist). Horrible dialogues, rubber acting, tricks that can be bought for 100 million today, amusement park directing. For 4DX cinema, it can work as a tech demo. I am giving the film a single star just for its hint of an interesting ideological storyline, in which the almost shocking selfish concentration of the man responsible for saving others on his family plays a role. There has not been such a strictly individualistic disaster film for a long time that would place the restoration of America purely on the shoulders of capable individuals who fight only their private wars. Unfortunately, even this factor is there purely for laughter. This movie as broken as the world it depicts. The earthquake comes as a divine punishment when the characters have nothing more to say. And that's basically the case all the time with San Andreas. On my Richter scale of nonsense, it’s a pure ten.
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It's actually awful bollocks, but Dwayne Johnson is a likeable guy, Carla Gugino and Alexandra Daddario are very nice to look at, and there's always something going on. Sometimes that's all I need.
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The Americans tend to shoot a disaster movie once in a while, cry their eyes out and show Americanism in its harshest form. And they usually take down Los Angeles or San Francisco. It lies on two tectonic plates, so it’s strongly fitting for a similar movie. For many decades now. Fortunately, San Andreas doesn’t deviate from the standard and performs solid popcorn entertainment, which is supported by Hulk Dwayne and solid CGI. It’s almost a surprise that a similarly tuned movie wasn’t made by Emmerich, but by the talented Peyton instead, because he massacred the surroundings very well.
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The Rock acts (and is likeable) about as well as Sylvester Stallone in the 1990s, but back then, Stallone wouldn't have acted in a film this silly. One cliché after another, and it relies on amazing the viewer with effects, which are not overwhelming, and pretty soon they get old, and it takes itself almost deadly seriously. Perspective is desperately missing - the comedy string that Roland Emmerich can play so well (I was very entertained by 2012, and it’s not much more sophisticated in terms of the storyline) did not even tremble in San Andreas. Unlike me while watching Alexandra Daddario...
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The Rock is cool, no doubt about it. Otherwise, this is just a bunch of terrible, boring clichés, dull dialogue, amateurish acting and overwrought CGI; just everything I hate so heartily about the current mass production of the dream factory. And three people wrote the script for this? This shows that some professions in Hollywood are even easier than receiving welfare. I never thought I'd say this, but I miss Emmerich!
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