Directed by:
Luc BessonScreenplay:
Luc BessonCinematography:
Thierry ArbogastComposer:
Eric SerraCast:
Scarlett Johansson, Morgan Freeman, Min-shik Choi, Amr Waked, Lio Tipton, Pilou Asbæk, Mason Lee, Claire Tran, Frédéric Chau, Jan Oliver Schroeder (more)VOD (4)
Plots(1)
A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic. (official distributor synopsis)
Videos (9)
Reviews (13)
How could a movie that tries to feed the audience such outrageous theories attempt to look so serious? And what was Luc Besson smoking when he wrote this? Scarlett Johansson made my eyes happy, but my brain got the medieval treatment.
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The beginning without powers was very entertaining and also suspenseful, the part after gaining them was less so, but still good, but the closer it got to the end, the more I stopped caring about Lucy. At least the film went by quickly, I wasn't too bored and I didn't need even 5% of my brain capacity to watch it.
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Lucy is a very strange film, on the one hand it captivates with its theme and execution, on the other hand it raises many questions and offers many illogical points. The idea itself is imaginative, a bit controversial, yet noteworthy. Who knows what would have happened if 100% had actually been achieved. Almost any scenario can be offered within the sci-fi genre in this regard, yet at times I thought it was a bit much. Nevertheless, I must praise the initial interweaving of the fiction sequences with the documentary footage, which together corresponded perfectly, and last but not least the magical music by Eric Serra. In short, a film that I admit I didn't fully understand, which isn't always a bad thing, but in this case it affected my judgement.
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FINALLY! Finally, Luc Besson made me happy and once again, according to his feminist philosophy, he prepared a film with a female protagonist whose perfection matches the others that Luc managed to include in his films during that time. The only problem Lucy has is the fact that she has supernatural abilities, so it’s hard to compare her with Joan of Arc, Nikita or Mathilda. She has a bit of all of these characters but she remains unique. So I can’t help but feel satisfied about the kind of movies Besson keeps making to this day. I find it funny how a lot of people on this site dislikes his leaps from action scenes to explanatory or completely unrelated ones. I, on the other hand, enjoyed this very much. Besson has always been crazy in a good way.
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When you expect the female version of Taken and you get something between The Matrix, The Tree of Life, and Cloud Atlas, something is not right. The people behind this film let their imagination roam freely, the car scenes in Paris are VERY impressive, but that's where both the action and the overall script ends. The boldness is appreciated, and Scarlett Johansson tries her best, otherwise, it's a mess.
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