Directed by:
Alex GarlandScreenplay:
Alex GarlandCinematography:
Rob HardyCast:
Domhnall Gleeson, Oscar Isaac, Alicia Vikander, Sonoya Mizuno, Corey Johnson, Claire Selby, Symara Templeman, Gana Bayarsaikhan, Tiffany Pisani, Lina Alminas (more)VOD (3)
Plots(1)
Alex Garland, writer of 28 Days Later and Sunshine, makes his directorial debut with the stylish and cerebral thriller, EX MACHINA. Caleb Smith (Domhnall Gleeson), a programmer at an internet-search giant, wins a competition to spend a week at the private mountain estate of the company's brilliant and reclusive CEO, Nathan Bateman (Oscar Isaac). Upon his arrival, Caleb learns that Nathan has chosen him to be the human component in a Turing Test -- charging him with evaluating the capabilities, and ultimately the consciousness, of Nathan's latest experiment in artificial intelligence. That experiment is Ava (Alicia Vikander), a breathtaking A.I. whose emotional intelligence proves more sophisticated -- and more deceptive -- than the two men could have imagined. (A24)
(more)Videos (8)
Reviews (17)
As a matter of fact, the premise is pretty simple and builds on the psychology of two characters and one android. It is nice that films like this one get to be filmed these days, but the more of them there is, the more critical I am towards them and here everything stands and falls by the premise, which is not bad, but it is a base for a rather small-scale film. At least the ending made everything pretty clear.
()
If Alex Garland put as much effort into elaborating the psychological and symbolic aspects as he did designing the environment and pretending to be witty, this would certainly be a very complex film. Unfortunately, this is something I call hipster sci-fi - a film focused on looking good and giving a strong first impression. As soon as you take his game seriously and start a discussion with him, you will find that he is saying semi-apathetic and nicely formulated phases, whilst pretending to be revelatory. Sure, in front of Pollock, every conversation sounds a little smarter and the female beauty near Klimt hurts even more, but Ex Machina is much better at dancing disco, showing great macho poses by Oscar Isaac and presenting the murderously fragile sex appeal of Alicia Vikander (when she is mass-produced, I will marry her), rather than amazing through the somewhat funny tactile details and mannerist backlights, which importantly tell us that Ex Machina is not just fun history. But it's really nothing more. Joseph Kosinski goes indie, for better or worse. [70%]
()
Ex Machina is a sensitive and engaging depiction of artificial intelligence shrouded in mystery with a pleasant sci-fi feel. The actress playing the female android is great. But the surprising twist and the way it is used dramatically proves that screenwriter and director Alex Garland might not be as clever as his brilliant male heroes.
()
A nod to a future sci-fi classic. A beautifully intriguing, disturbing, unpredictable and decently suspenseful intelligent thriller that throws in a decent twist in the last half hour, although I had already read the final one, but I still have a positive impression. The film may have a slower pace, but it also lures the viewer's attention with very impressive interiors and a decent soundtrack, at times almost horror-like. Too bad they didn't push the bar at least two notches higher at the end, I would have considered five stars then, still a decent hypnotic cinema experience. 80%
()
Clear evidence that electronics labeled smart are a potential threat. That’s why I decided to disconnect my smart washing machine. I'll miss the quiet rustling of my dirty laundry, but what wouldn't a man do for safety. I also unplugged my computer because it was suspiciously overheating while playing this movie, and my monitor because it was flickering suspiciously. I'm glad I caught it so early, no one will make a fool of me!
()
Ads