Directed by:
Gavin O'ConnorScreenplay:
Bill DubuqueCinematography:
Seamus McGarveyComposer:
Mark IshamCast:
Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, John Lithgow, Michael Beasley, Boualem Hassaine, Ron Prather, Jason MacDonald, Ron Yuan (more)VOD (4)
Plots(1)
Christian Wolff (Affleck) is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world's most dangerous criminal organizations. With the Treasury Department's Crime Enforcement Division, run by Ray King (J.K. Simmons), starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk (Anna Kendrick) has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise. (Warner Bros. UK)
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Reviews (12)
If you ignore the overcomplicated plot, the laughable attempts at psychological profoundness and the weird twists, it works fine. The statuesque Affleck is a good choice for the character of an autist (regardless of whether his character has anything to do with the real capabilities of an autist). The action is good and executed without hesitation; a 7/10 overall, and I’m rounding up for how they settle the tab with the main villain.
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Unfortunately, I didn't trust Ben Affleck with this character for even a moment (well, okay, in the action scenes let's say I did, but that's probably not what it was supposed to be about). Moreover, the story is one that can surprise the viewer, but surprise him with such unbelievable shenanigans that he can't help but shake his head at them.
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Ex Navy Seals dudes got their asses handed to them by Denzel Washington in Equalizer, so they did a rematch in The Accountant and got their asses handed to them again, this time by Ben Affleck. It's not nearly as spectacular and visually captivating as former, but thanks to an interesting crime premise and great actors, it's no less entertaining, but on a slightly different note. The action is raw, manly and clear. The script, given the film's concept, is atypical, with some interesting digressions that usually make for the best acting (Bernthal - brotherly bond, Simmons - self-doubt, Lithgow - the practices of corporate politics), so the final impression is more than pleasant. One of the most compact little big action thrillers of recent times.
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Interesting film. Maybe a bit too convoluted and complicated for me in some places, I got lost at times and a few things seemed unnecessary, but otherwise an entertaining flick with good acting by Ben Affleck, decent action, clever dialogue and an engaging story. 75%.
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O'Connor disappointed me. Warrior was the best made cliché in history and completely blew me away, The Accountant is as cold as a woman on her period and downright insulting when it fails to end its so cleverly written story with progressively more significant themes in a way that would be at least somewhat memorable (and instead pulls off the most inappropriate twist for a narrative so serious and smart throughout). No one can deny the film is excellently cast (Affleck is perfect for the role), has balls, and the idea of a bespectacled autistic bureaucrat as a bad ass motherfucker terminator is awfully cool, but the director can only sell all that potential entertainment in a few action moments, otherwise he can't handle the surprising dramatic superficiality, unfortunately. And I was really looking forward to it. 65%
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