Directed by:
Doug LimanScreenplay:
Gary SpinelliCinematography:
César CharloneComposer:
Christophe BeckCast:
Tom Cruise, Domhnall Gleeson, Sarah Wright, Jesse Plemons, Caleb Landry Jones, Alejandro Edda, Jayma Mays, Connor Trinneer, E. Roger Mitchell, Sharon Conley (more)VOD (2)
Plots(1)
Tom Cruise as Barry Seal, an airline pilot who avoids jail time for smuggling by agreeing to work for the CIA, but soon finds himself mixed up with ruthless drug cartels and the Iran-Contra affair. (Home Box Office)
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Reviews (17)
A very likeable film from start to finish. You can cheer for the main hero, although he's not fully a good guy, it's thrilling and funny and it has a pleasant retro look and sound. I often thought of Gold with Mathew McConaughey, which, of course, had something extra and I liked even more, but I rarely thought of the much worse The Wolf of Wall Street. Tom Cruise shows us why he still belongs amongst the most sympathetic and best actors.
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American Made is a very straightforward crime comedy without any major stumbling blocks and it makes no effort to face us with any difficult moral dilemmas. It conspicuously imitates the style of Scorsese’s films (pop songs, a narrator intervening in the story and determining what we see and how we see it, attention-grabbing camerawork and editing) and cashes in on the popularity of the TV series Narcos, so it comes across as unoriginal and predictable, but thanks to the smooth (albeit slightly mechanical) narrative and Cruise’s charisma, it is entertaining from start to finish. The position of the main protagonist is unusual (for a Hollywood movie), as he lets himself be dragged along by circumstances and merely accepts outside offers and follows orders dictated to him through almost the entire film. He can demonstrate his ingenuity only in the way he carries out deliveries of certain goods, not in what he actually does. It would almost be possible to interpret him as the embodiment of American pragmatism, the ability to adapt to the given situation and make the most of it for himself, but we know too much about him (compared to the other characters, who are really only types) to perceive him in such an impersonal way, and relatively strong emphasis is placed on the family storyline (which, however, the film handles much more carelessly than The Wolf of Wall Street, for example – you will probably care as little about the protagonist’s wife and children as you did for Barry). Of the films that “comfort” us with the fact that people may be bad, but their governments are worse (War Dogs, American Hustle), this one gets bonus points in my eyes for taking the procedural side of things into greater consideration and for not pretending to be anything better. It’s simply light summer macho entertainment that does everything possible to keep the viewer from getting bored for even a second and, unlike Atomic Blonde and The Hitman’s Bodyguard, it does that very well. 70%
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American Made is a funny, fast-paced and, thanks mainly to the excellent Tom Cruise, a really cool chill-out movie that does
not try to be dramatic. Which surprises me, because had its satire been a little more piercing, it could have reached the
heights of Martin Scorsese.
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Doug Liman is awesome and Tom Cruise rocks again. nice Barry Seal is a very story that is interesting and engaging enough to draw you in from the very beginning. The film benefits greatly from an interesting filter and at times I felt I was watching an episode of Narcos, which may well have been Doug Liman's inspiration. Working for the CIA and the narcos at the same time may be attractive, but it's a hard job that you can't escape or you'll die. The sex scene on the plane was awesome. A very entertaining film 80%
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Barry Seal is Tom Cruise's one man show. Totally. Actually, there's nothing here but Tom Cruise in a role that was tailor-made for him. As a likeable bastard who can work for three deadly organizations at the same time and still make a damn good living at it, he's downright brilliant. His Barry is an amoral bastard, but with such enormous charm that you'll be rooting for him even as he muddies the waters with Colombian cartel bosses, delivers weapons to Central American paramilitary organizations, and buries his money in suitcases in the backyard. Barry has style, and thanks to Doug Liman and his brisk direction, his adventures are quite watchable. And it's only at the end that you realise that it's actually playing it too safe, that Barry's sort of getting away with everything, lacking a significant antagonist, conflict or even problem, and that it's not actually very interesting. Cruise fans will probably enjoy it to the max, others will be treated to a stylish, broadly entertaining but more or less pointless film.
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