Directed by:
Paolo GenoveseCinematography:
Fabrizio LucciComposer:
Maurizio FilardoCast:
Giuseppe Battiston, Anna Foglietta, Marco Giallini, Edoardo Leo, Valerio Mastandrea, Alba Rohrwacher, Kasia Smutniak, Benedetta Porcaroli (more)Plots(1)
The titular perfect strangers are actually seven long-time friends (three couples and one bachelor), all 40ish, who gather on a warm summer evening for a dinner party to watch a lunar eclipse. They agree that no private calls or messaging will disrupt their evening, and in a communal fit of 'we have nothing to hide' bravado, they place their devices on the table and declare that all incoming calls and texts are shared with the group (letting a caller know they're on speaker is considered a cheat). But what seems at first like an innocent and playful distraction between friends quickly turns into something more, as some eye-opening secrets about the partners and acquaintances opposite begin to emerge... (Madman Entertainment)
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Reviews (11)
I was reminded of the dialogue from the sitcom Black Books: "Do you remember who all was at that dinner?" "I don't. Him and his friends. You know, the sort of people who talk about salad for five hours." Which indirectly captures the problem with Perfect Strangers. I didn't care about the characters. With one bright exception, it's just a bland gathering of upper-middle-class Italian hypocrites whose standard topics are food, drink, vacations, health, and each other's relationships. What then happens to these two-legged Elle catalogues as a result of their own boredom and disenchantment is truly irrelevant. So what can you do with them. Moreover, the whole thing is really just a stage play, with the film format bringing absolutely nothing extra to the table. For a truly bitter tragicomedy that can work formally within the limited space of a single apartment, I'd instead invite you to join the Hajdu family party in It's Not the Time of My Life.
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Hypocrisy is a trait possessed by almost everyone who dines together in this movie. What seems to be fun at the beginning changes with time into a brutal emotional ride that just doesn’t end. An exemplary premise reflecting the present times where people cannot live without their smartphones and while walking at the sidewalk, they spend more time looking at their screens than that sidewalk. With this dialogue-based movie the Italians did the best they could.
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How much do we really know about our loved ones? And how much do we even want to know about them? At first glance, Perfect Strangers is an ordinary conversational piece with an imaginative primary impulse that slowly but surely crystallizes from an initial childish game to a dense drama in which each successive message or phone call can turn the supposed reality one hundred and eighty degrees. Each new revelation tries to trump the last, and the hypocrite of the year contest is in full swing. The film offers some surprising and emotionally powerful moments (the old men on the balcony), but the biggest surprise comes at the end. Chillingly humorous to the point of being humorously chilling!
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An Italian single-location film that was surprisingly enjoyable. I find games like truth or dare pathetic, but this version enhanced by cellphones was downright suicidal. For example, I'd love to see Sofia's reaction if she found out with whom daddy shared their private conversation. The creators did an excellent job portraying the individual characters and I really enjoyed the conclusion which unraveled the alternative version of the story. I was completely satisfied.
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An excellent Italian conversational comedy that gets progressively more and more dramatic. The main idea is very original and I'm sure that many of us have thought about how such an evening might turn out in our case. The film makes you think about how many secrets we actually have and how much we pretend to be somobody else in front of the others.
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