Directed by:
Theodore MelfiCinematography:
Mandy WalkerCast:
Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kevin Costner, Kirsten Dunst, Jim Parsons, Mahershala Ali, Aldis Hodge, Glen Powell, Kimberly Quinn (more)VOD (3)
Plots(1)
An untold story of Katherine Johnson (Taraji P. Henson), Dorothy Vaughn (Octavia Spencer) and Mary Jackson (Janelle Monae) - brilliant African-American women working at NASA, who served as the brains behind one of the greatest operations in history: the launch of astronaut John Glenn into orbit, a stunning achievement that restored the nation's confidence, turned around the Space Race, and galvanized the world. The visionary trio crossed all gender and race lines to inspire generations to dream big. (20th Century Fox UK)
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Reviews (9)
An appealing struggle against racial prejudice on the grounds of the American NASA, which is really more a struggle for emancipation than for the control of space. Of course, the United States at the time was all about being first in space and staying ahead of the Soviets in everything, but this film focuses much more on the (from today's perspective) wooden age when "coloreds" had their own toilets and coffee pots. I was going to give it a strong 3 stars, however, given how briskly and with what ease it's filmed, I'll happily and happily resort to a more average 4 stars.
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Wow, the black guy Chris Rock once tells off the Oscar committee and one year later we have a series of Oscar-nominated movies, where Hidden Figures is definitely the best movie the year has to offer. You see it is a heartbreaking story of four clever girls who are working at NASA and at the same time have a problem – they are black. And since it’s the early 1960s and America is at the peak of a cold war against the Soviet Union about who will be the first one to send a man to space, what we have is a fairly racist subtext, which in this movie climaxes with separate toilets for whites and blacks. The story is nice, the execution as well, but those pro-American propagandist scenes where the head of NASA bangs on the sign “WC, Toilets for Coloreds” with twenty white colleagues watching were a bit shallow and I didn’t find them emotionally engaging. It might be because I am absolutely unable to grasp how far Americans managed to get with racism while still claiming it was OK. So here they are and now they have to try and safe face with movies that are supposed to be talked about for the rest of the year…
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This film not only illustrates how absurd and ongoing segregation was and perhaps still is, but it also shows how American society was - and likely still is - ossified, clinging to prejudices and nonsensical rules. Let's face it, it's not just going to be American society. Strong, humane, good, with a positive message that shouldn't be forgotten, but unfortunately, it often is.
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Well, that was an experience. A two-hour drama in which NOTHING happens is extreme even for me, and I can't pick up anything here except for the realistic presentation of the situation around the segregation of blacks at that time, because for two hours there is talking, talking and more talking. There is zero tension, no build-up or any concern for the viewer about the development of the situation; the characters don't have much to play with and even the ending is not satisfying in any final way. This is simply proof that even dramas can be really annoying, especially when a director has no idea what they want to put in the film. I can appreciate and enjoy this kind of genre, but here I wonder what some of the users are so excited about...
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I'll admit that if it weren't for Kirsten Dunst in a supporting role, I would have definitely missed out on Hidden Figures. But Kirsten has good taste, and her name and character are well portrayed, if only in just a few images, which certainly "adorns" this sure bet. Finally, her secondary storyline and that of Jim Parsons represent the most pressing thing the main characters had to contend with. Or racial segregation, NASA, and the American response to Gagarin. It’s worth a recommendation.
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