Directed by:
Tony ScottScreenplay:
Brian HelgelandCinematography:
Paul CameronComposer:
Harry Gregson-WilliamsCast:
Denzel Washington, Dakota Fanning, Radha Mitchell, Christopher Walken, Marc Anthony, Giancarlo Giannini, Mickey Rourke, Rachel Ticotin, Roberto Sosa (more)VOD (3)
Plots(1)
Hard-drinking, burnt-out ex-CIA operative John Creasy (Washington) has given up on life--until his friend Rayburn (Oscar winner Christopher Walken) gets him a job as a bodyguard to nine-year-old Pita Ramos (Dakota Fanning). Bit by bit, Creasy begins to reclaim his soul, but when Pita is kidnapped, Creasy unleashes a firestorm of apocalyptic vengeance against everyone responsible. (official distributor synopsis)
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Reviews (9)
Scott overdid it, he exhibited too much for my taste. His nervous camera games were too frequent, even annoying, I would say. The simple script was not devoid of logical nonsense, but the ambiguous ending was quite a pleasant surprise. Washington repeats himself as an actor, essentially performing a variation on his Oscar-winning Training Day (you're right, sepp). It was nice to see Walken in a different than his traditionally villain role, and I was pleasantly surprised by the leading girl who gave a very convincing and natural (for a child) performance. Finally, a cool line from a conversation Washington (about to assassinate one of the bastards) has with an old man: "In the church, they say to forgive." – "Forgiveness is between them and God. It's my job to arrange the meeting.”
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In order for someone to really like this movie, they probably have to be a fan of Tony Scott in the first place. It has dynamic directing, sharp and lively cinematography, fast editing, blending of colors, and many other directorial tricks that the fans will enjoy, and basically it doesn't matter what the plot is about.
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Although I didn't believe it, Tony Scott is capable of a sensitive and unique approach. In other words, he indulges in flashy playfulness only in action scenes and when bringing together a large sad bear and the cutest child movie star of recent times, he keeps the camera still and lets the atmosphere take effect. Thanks to this, the sensitive moments stand out and the twists are filled with emotions to the breaking point. A perfectly crafted piece of filmmaking, created with love, to which the story naturally lends itself.
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I won't hide the fact that I expected a bit more from it. The first half is a compelling look at the growing friendship between a beleaguered bodyguard and a charming young girl, which is a joy to watch thanks to the performances and Scott's precise direction. The second half, marked by Washington's revenge and the liquidation of the kidnappers, does not lack momentum and brutality, but it’s surprisingly cold and the jerky camera got on my nerves instead of making everything more interesting. But that doesn't change the fact that Tony Scott was a great director who could make even a wheelchair chase look spectacular, and his action prowess and experience can be felt in every scene and especially in the ending. Man on Fire didn't impress me given the reviews, but on the other hand it didn't bore me for a moment. 3.5*
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Tony Scott scored a bullseye with me again. Man On Fire is a perfectly made action thriller with no shortage of deep emotions and perfect action, all framed in Tony’s classic “epileptic" style. The screenplay is also pretty well written and the actors, headed by Denzel Washington, have something to say. For action and Tony fans, just superb.
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