Directed by:
Michael ShowalterCinematography:
Brian BurgoyneComposer:
Michael AndrewsCast:
Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Aidy Bryant, Bo Burnham, Adeel Akhtar, Linda Emond, Anupam Kher, Shenaz Treasury, Isabel Shill, Myra Turley (more)Plots(1)
When Emily (Zoe Kazan) contracts a mysterious illness, Kumail (Kumail Nanjiani) must navigate the crisis with her parents and the emotional tug-of-war between his family and his heart. (Roadshow Entertainment)
Videos (15)
Reviews (11)
An enjoyable film with a topical theme of Muslims and a very likeable main character, who unfortunately I didn't find funny at all in his stand up routines, but the film keeps a decent level thanks to intelligent dialogues, decent romance, strong emotions and you also learn something about Pakistani culture, so it's definitely a film worth watching. 75%
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It follows strictly the tried and tested plot of a typical Sundance midcult feel-good flick; i.e. it’s not serious about serious things, with social overtones, not overdone and with likeable characters. Of course, it doesn't matter at all if it makes you laugh, moves you, and also teaches you something about cricket in Pakistan.
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Enthusiastic responses from Sundance announced that this may be the comedy of the year, but it’s no miracle - this independent romantic comedy is completely standard, and there are dozens to hundreds of similar films in existence. In fact, it is only moderately funny. However, it differs from the others with its Pakistani themes and cute origins, which is certainly a plus, as well as the unusual motifs of the mother separating her son from her family for disobeying cultural traditions, jokes about Muslim terrorists and possible metaphorical interpretations of the deadly consequences of lies among two partners.
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The Big Sick is another one of Judd Apatow’s great conversational dramas with a beautifully light and positively conceived
take on the current most pressing issue of Muslims, with a traditionally relatable and well-analyzed relationshiporiented
plot line. The film is emotional and intelligent, with a script worthy of an Oscar nomination. And I think that Zoe
Kazan might get one as well.
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It took me a while to get used to Kumail. For about twenty minutes, I was even pretty uncertain whether this comedy was actually a comedy, or if it was simply an unusual drama. But once Zoe Kazan made an appearance on the scene (or rather in a coma), a whirlwind of great situational humor started that went so natural for Kumail that it really was a pleasure to watch him. For instance, his first encounter with Emily’s parents is really good fun. And there are plenty more similar scenes in the film. Eventually, the unusual drama turns into an unusual dramedy which managed to put me in a really good mood that didn’t disappear even after I finished the movie. The thing is, I read about the film that it was based on a true story and that the main character is the same Kumail as the one in the film. At that point, the movie reached a whole new dimension.
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