Directed by:
Leigh WhannellScreenplay:
Leigh WhannellCinematography:
Stefan DuscioComposer:
Jed PalmerCast:
Logan Marshall-Green, Betty Gabriel, Harrison Gilbertson, Melanie Vallejo, Benedict Hardie, Simon Maiden, Richard Cawthorne, Christopher Kirby (more)VOD (4)
Plots(1)
In a utopian near-future when technology controls everything, a technophobe avenges his wife’s murder and his own paralysis-causing injury with the help of an experimental computer chip implant – STEM – that turns out to have a mind of its own. (MUBI)
Videos (2)
Reviews (13)
With its spectacularly upgraded vengeance drama theme, Upgrade tells a story as simple as old Van
Damme karate flicks, but with a futuristic dimension more reminiscent of – due to its lower budget –
the original Terminator. This action sci-fi movie is innovative with some original details and has slight
cult potential. Whannell surprised us. Even Wan himself couldn’t have shot it better.
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In an interview with Joe Rogan, Elon Musk mentioned that he was about to announce something interesting in the area of connecting the brain with the digital world (this was immediately forgotten, because the newspapers only wrote about him smoking a joint with Joe). If this is what he had in mind, then we have something to look forward to. Whannell’s Upgrade is surprising both with its excellent action scenes and a story that works great. It's like Robocop, but more realistic, and it certainly has something to say with its nice ending and captivating visuals. Even though it has a bit of a B-movie plot, it has a lot of heart – and no shortage of blood.
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What’s the best method for revenge? Connect the internal automaton and bypass the conscience. A masterful work both visually and acoustically, which in the first half sometimes feels like a mechanical prank, but in the end removes all doubts. Bloody and realistic cyberpunk cleverly working with a minimalist design and distorted filming and a soundtrack that awakens memories of Deus Ex in me ... I'm installing it! Ex Machina without unnecessary feeling of being too smart, a good mixture of B-movie momentum and A-movie solutions.
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The most original little big cyberpunk B-movie in at least a few years. It has all the ideas, the swagger, the brilliant action and the blown heads that fans of revenge sci-fi need in regular doses every now and again. The production design is intentionally understated, with post-rock music that gives it the right mysterious atmosphere and moderate clear action without big military passages like in the Terminator franchise, but with a story that allows the filmmakers to indulge in relatively breakneck excesses. Whannell knows exactly how to mix this shake. Great fun.
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Uncompromising action mayhem orgasm! Leigh Whannell, writer of Insidious and Saw, tries directing for the second time and it turns out great. Logan Marshall-Green, who has a Tom Hardy vibe, excels in the lead role and you root for him throughout the film. For the first time in a long while, a truly original film unlike anything I had seen before, and the action scenes are awesome, with no blood or violence spared. Combining my favourite sub-genre of revenge in a high-tech jacket was a great choice and suits the film perfectly. I find the fights (the final one is a treat) and the denouement satisfying as well. Although it is hardly a horror film at all, it is a solid action-sci-fi-revenge thriller. 85%.
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