Directed by:
Paweł PawlikowskiCinematography:
Łukasz ŻalCast:
Joanna Kulig, Tomasz Kot, Borys Szyc, Agata Kulesza, Cédric Kahn, Jeanne Balibar, Adam Woronowicz, Adam Ferency, Dražen Šivak, Slavko Sobin, Aloïse Sauvage (more)Plots(1)
This sweeping, delirious romance begins in the Polish countryside, where Wiktor (Tomasz Kot), a musician on a state-sponsored mission to collect folk songs, discovers a captivating young singer named Zula (Joanna Kulig, in a performance for the ages). Over the next fifteen years, their turbulent relationship will play out in stolen moments between two worlds: the jazz clubs of decadent bohemian Paris, to which he defects, and the corrupt, repressive Communist Bloc, where she remains—universes bridged by their passion for music and for each other. Photographed in luscious monochrome and suffused with the melancholy of the simple folk song that provides a motif for the couple’s fateful affair, Paweł Pawlikowski’s timeless story—inspired by that of his own parents—is a heart-stoppingly grand vision of star-crossed love caught up in the tide of history. (Criterion)
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Reviews (11)
I just don’t understand how a movie, which is the least comprehensible in terms of filmmaking I have seen in years, can get into the Oscar nominations for foreign language film category. Despite the fact that the Poles are now making so many much nicer movies. Of course, this film has also some qualities, that’s without saying. The idea of telling a story in the form of fragmentary scenes that are constantly torn to reconnect under the onslaught of Polish bagpipers is a virtuous and original idea. But I still had a hard time to not switch the TV off wanting to never see this film again after yet another scene with the bagpipers or the singing girl. In the end I finished the movie, I admit it’s original but… I don’t want to ever watch it again! If Cold War wins the Oscar for foreign language film, it will not win because of the movie itself, but because the Polish cinematography is currently the best one in Europe.
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Visually, Pawlikowski excels even more than in the Oscar-winning Ida, which he copied through his black-and-white image and aspect ratio, and at least in the first half hour his film is able to enchant through its ferocious and dynamic direction and the story of a folk singing and dancing choir that must submit to the wishes of the regime. The subsequent main plot, a melodrama about two unsympathetic protagonists who would really like to be together, but do everything they can so that they can't be together, gets tiring faster than the omnipotent song ojojoj.
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Absolute perfection. I'm not sure if there's anything else worth saying. I could find a lot of superlatives. From the very beginning, I enjoyed the visual aspects of the shots immensely, which is why I am grateful for the black-and-white treatment of the subject because in color all the impact would have been lost. In terms of music, I would be hard-pressed to search across world cinema for something so beautiful and coherent. The story of the fateful love of two people longing not only for each other, but also for freedom, in a time that did not exactly favor freedom and dreams, set in such tastefully elaborated realities, could not have turned out badly. Pawel Pawlikowski simply couldn't mess it up when he had such wonderful sets in reserve. The performances were also good, and the couple in love was perfectly suited to the 1950s and 1960s. And the ending? It couldn't have been wrapped up and filmed any better. I thus have no choice but to compliment the Poles on this cinematic treat. (100%)
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Cold War is a wannabe artsy melodrama in which the central duo, instead of being together,
repeatedly and VOLUNTARILY choose different life paths so that they can regret it later. And then
they just happen to meet occasionally over the years to ask each other how they are doing. Plus, it’s
an emotion-free movie that looks like it doesn’t want you to experience their love and does not need
you to understand all of the decisions they make. A melodrama about a pair as black and white as its
pretty 4:3 aspect ratio, for which I’m giving it the third star. Cold War is a cold film. [Cannes]
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