Directed by:
Rawson Marshall ThurberScreenplay:
Rawson Marshall ThurberCinematography:
Markus FördererComposer:
Steve JablonskyCast:
Dwayne Johnson, Ryan Reynolds, Gal Gadot, Ritu Arya, Chris Diamantopoulos, Vincenzo Amato, Alexander Perkins, Daniel Bernhardt, Ethan Herschenfeld (more)VOD (1)
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When a daring heist brings together the FBI's top profiler (Dwayne Johnson) and two rival criminals (Gal Gadot and Ryan Reynolds), anything can happen. (Netflix)
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Reviews (11)
At first, I was all in — caught up in the hype and craving some good old-fashioned adventure. I even slapped four stars on it right away. But then, after a restless night, I started to realize why this film felt so... sterile. Sure, Netflix’s most expensive film to date made a massive splash globally, but that’s mostly thanks to the star power of The Rock and Ryan Reynolds, who are undeniably huge draws right now. The problem is, despite the big-budget tag, the film doesn't really feel like it. The action is nothing spectacular, and even though the story hops around the globe, most of it plays out in generic interiors. It’s like Reynolds is whistling Indy’s tune, but the film never quite hits that adventurous stride. And just when you think it might finally deliver some of that classic archaeological thrill that movies like this need, the plot takes a few wild turns that are more nauseating than exciting. Still, I have to admit, despite all that, Red Notice is pure fun — cheesy, superficial, and more about the banter between The Rock and Ryan Reynolds than anything else. It’s perfect if you just want to turn your brain off and enjoy watching two of the biggest action-comedy stars of the moment.
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Red Notice didn't entice me due to the likeable cast, with the Gadot-Johnson-Reynolds trio proving themselves in their roles. Plot-wise, it is basically a rehash of older films and aside from a minor plot twist, which was predictable from a certain point on, it doesn't have much to surprise. Some scenes feel too forced – lately filmmakers feel the need to put unnecessary artificial animals in their films – and you could talk at length about how Red Notice disregards the laws of physics, but whatever, a film like this should be taken with a grain of salt. The film could have easily been a quarter of an hour shorter, but it still managed to keep me interested, tense and even entertained at times (thanks mainly to Reynolds).
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A TV B-movie with A-movie actors, a promising theme, a weak screenplay and the oh-so-mediocre Rawson Marshall Thurber in the director’s chair. Red Notice could be great a modern take on Indy (they even have Swastikas) and the search for Cleopatra’s golden eggs, if it weren’t for lots of nonsense and ridiculous (even if unexpected) twists. The Rock, Gadot and Ryan Reynold all act how they always act and if this had had more inventive (better filmed) action and if it hadn’t been filmed in a studio, it could have been a wonderful guilty pleasure, but this way it is only just an entertaining snack. P.S.: Not even Jablonsky was trying...
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One of this year's most expensive Netflix movies is a decent genre one-off, but given the budget and the cast, I was expecting a bigger load of excitement. I was kind of hoping for something in the vein of 6 Underground, but the PG-13 rating alone kind of bugged me. It's a bit of a variation on Indiana Jones, James Bond and Ocean’s Eleven, but in neither can the film hold a candle to those franchises. As expected, Red Notice is an entertaining, expensive and nicely made film, with The Rock, Gal Gadot and Ryan Reynolds doing their thing again, and a few of the jokes are good. Unfortunately, the action is a disappointment, there isn't a single memorable action scene and the finale is delivered in a more intimate than monumental way, which is a big downside. There is one unexpected twist that’s quite good, and the heist antics aren't bad, but that's not enough for me. The two hours are bearable, and Red Notice is certainly worth recommending, but it should and could have been more consistent and wilder. Story 3/5, Action 3/5, Humor 3/5, Violence 0/5, Fun 4/5 Music 4/5, Visuals 4/5, Atmosphere 2/5, Suspense 2/5, Emotion 3/5, Actors 4/5. 6/10.
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Netflix calculated how to make a hit: take a lot of money, put in famous faces, come up with an uncomplicated story, and cram something in there for everyone, ideally in a way that the result won't turn anyone off, regardless of age or whether they want action, adventure, humor, exotic locations, or basically anything. The result is Red Notice. Dwayne Johnson scowls and occasionally punches someone, Ryan Reynolds talks and pisses Johnson off, and Gal Gadot looks good while sadly confirming that her acting talent is more suited for photos or silent films. And overall? Overall, it doesn't offend, it doesn't surprise, it passes pleasantly in the first half and drags in the second, and when there's a problem somewhere, Netflix throws a few million dollars at it and routinist Rawson Marshall Thurbert pulls it all together into something that's about two hours long, with a beginning, middle and end, and everyone will watch it anyway because we're just curious about the actors, right? And then we all forget about it in an hour. I get what Netflix was going for and I respect that they did it, but I'm certainly not going to settle for this uninteresting routine and I'm not going to praise it. It's like it was all made by a machine that figured out what people probably want to see and served it up to them.
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