Directed by:
David YaroveskyCinematography:
Michael DallatorreComposer:
Timothy WilliamsCast:
Elizabeth Banks, Jackson A. Dunn, David Denman, Matt Jones, Meredith Hagner, Jennifer Holland, Steve Agee, Gregory Alan Williams, Becky Wahlstrom (more)VOD (4)
Plots(1)
What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister? (Sony Pictures)
Videos (3)
Reviews (8)
How many times while watching Superman and his origin story did my mind wonder... What if, upon his arrival, he actually didn't side with good? What if he became a treacherous bastard with the intention of destroying the world as we know it? Finally... finally, I've seen such a take, as I saw almost inexhaustible potential in it. Although the character is introduced as a child, I actually found that approach even more fitting. And with James Gunn's involvement—whose name is attached to films like Dawn of the Dead and Guardians of the Galaxy—I just had to see the film. Firstly, I must say that those expecting a full-on blockbuster will be disappointed. The film boasts a modest budget, slow pacing, and less action. However... the style of building a tense atmosphere was incredibly appealing to me (the build-up is one of the most successful aspects of Brightburn), and the young actor in the lead role impressed with his performance. Also, the horror element is complemented by significant bloody brutality (from the scene with the jaw after the high fall of the car, or the shard of glass in the eye and subsequent extraction). Not for the faint-hearted; now I understand the R rating. The ominous tones accompanying the cold-blooded actions of the main character (a small, malevolent scoundrel) dug deep under my skin. Feel free to make a sequel... if it maintains the same tone, why not? This film delighted me immensely. I give it 84%.
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I feel like this movie didn't offer anything interesting at all. The only twist, a 180-degree reversal of the Superman story in the style of The Omen, is known to anyone who has seen the trailer, and I didn't see any others. I would write that a promising idea went unused, but it's questionable whether it could have been used at all with this approach. It's neither proper horror, nor psychological thriller, nor even entertaining in any way... It's simply not good.
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The anticipated horror superman produced by James Gunn is a nice surprise for me and will not be missing from this year's top list. While most of my colleagues are rather disappointed, it worked perfectly for me as an evil superman origin story, and I didn't mind that it follows a familiar template. It has great pacing, decent actors, decent technical aspects, and once little superman goes on a rampage it offers this year’s two best gore scenes. The finale is nicely paced and I was really surprised at how brutal the film is in the end. I don’t think this year there’l be a more brutal and entertaining horror film, so thumbs up for me and I want to immediately see a sequel with a grown up evil superman! 80%
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A unique compilation of screenwriting and directing flaws that carefully whitewash the fact that everything we see is just a narrow slice of the grand concept of "superhero horror". As such, nothing in the film exists offscreen and nothing there has any character. The filmmakers at least acknowledge this by saying that in order to be able to awaken any resonance in the audience at all, they crank up the sound at the right moments and the characters die in pretty decent Aja-esque gore circuses.
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Unfortunately, my fears that Yarovesky isn’t a good director have been confirmed. He was incapable of turning an attractive premise into something more than an average film. The plot arc is exactly what you can imagine when you say “the horror version of Superman”, and that’s all there is to it, Brightburn never deviates from the line you expect. Fortunately, the creators where able to deconstruct the classic structure of the super-hero origin story, but not able to surprise the horror fans. The director couldn’t create any bond with the positive characters that would really interest the viewer, and, as a result, the film never gave me the impression that the creators “want to tell the story of this family”. Throughout, the film just felt like “we want to play with the idea of an evil Superman, and we must have a human mum and a human dad”. But Brandon’s rampage starts relatively late, and only a couple of moments are truly memorable, and what can you do when you are uninvested in the human heroes? When you don’t believe they are viable characters? Brightburn is watchable thanks to its premise, which is cool, really. But what prevails in the end is the feeling of a wasted opportunity. It could’ve been great in many ways: taken more seriously or tragically or, on the contrary, totally bonkers. But this final form is pointless, and shouldn’t have been like that!
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