Directed by:
Florian ZellerCinematography:
Ben SmithardComposer:
Ludovico EinaudiCast:
Anthony Hopkins, Olivia Colman, Olivia Williams, Rufus Sewell, Imogen Poots, Mark Gatiss, Ayesha Dharker, Roman ZellerVOD (3)
Plots(1)
In an Academy Award® winning performance, Anthony Hopkins plays the eponymous role of a mischievous and highly independent man who, as he ages, refuses all assistance from his daughter Anne (Olivia Colman). Yet such help has become essential following Anne's decision to move to Paris with her partner. As Anne's father tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality. (Lionsgate Home Entertainment)
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Reviews (12)
In response to the question “are you afraid of death?”, someone once told me “no, I'm afraid of dying”. This film reminded me of that. Brilliantly written and with a fantastic performance by Hopkins, The Father is a mosaic of the decay of human memory and the loss of awareness of place, time and self. Set in a few rooms with a handful of actors, this is distressing and sad film, as if it had been written by a man who went through it himself and came back. Why watch such a film? To remind ourselves of how good we have it.
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A depressing look into almost all of our futures, this time without robots or an atomic holocaust. We don’t even get a chemical weapons attack or a pandemic, but I found this absolutely blood-chilling. Hopkins’ one-man-show about ageing sets off on an adventure journey that you really don’t want to go on. Full of surprises, confusion, a caustic feeling that everybody has turned against you and keep on hiding your wrist watch. Perfect dialogs, precise directing, beautifully sad music.
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The unbearable lightness of acting. I remember well Hopkins's exclusive interview with Reflex, where he said that "...acting is the easiest profession in the world...". So Sir Anthony cut yet another theatrical role, the likes of which he has portrayed hundreds of in his lifetime on stages, and he still won an Oscar for it, by the way. Yeah, acting is a beautiful profession, if you know how to do it.
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Translating Alzheimer's woes into cinematic language creates a postmodern horror film along the lines of Lynch or Wheatley. I even think it happened unintentionally, which is the scariest thing about it. We're going to hear a lot about acting performances with this film, and why not when Hopkins shoulders such an agonizing role at 83? Still, I'm most impressed by the truth presented about how old age simply can't have a happy ending.
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An incredibly fresh cinematic probe into the issue of old age and the slow decline of both the physical and primarily the psychological that is uniquely turned around and dissected in detail from the perspective of the patient, not the people around them, so we don’t get any corny tearful scenes or any other similar mining of emotions. Zeller goes about it in a sophisticated, at times almost detective-like manner, and the phenomenal performance of Anthony Hopkins doesn't give the viewer a chance to breathe. Within the genre, an unusual atypical film that is worth seeing, although it is not an easy watch.
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