Cinematography:
Brett JutkiewiczComposer:
Brian TylerCast:
Neve Campbell, Courteney Cox, David Arquette, Melissa Barrera, Jack Quaid, Mikey Madison, Jenna Ortega, Dylan Minnette, Jasmin Savoy Brown, Mason Gooding (more)VOD (4)
Plots(1)
Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past. (Paramount Pictures)
Videos (2)
Reviews (12)
On a certain meta-level, the film’s protagonists excuse the fifth Scream for being a mere recycling of several worn-out formulas and motifs (which it is), because that’s what devoted fans want. And it is possible that that might actually be enough for fans of the genre, particularly fans of this franchise. Nevertheless, such a hackneyed film that serves viewers practically the same thing as its predecessors and has no need to distinguish itself in any way is hardly saved by the fact that its creators are aware that it’s worn out and humorously point that out in places. The protagonists can endlessly make snarky comments about the various rules of the horror genre and all of the mistakes that horror-movie characters make, but what good does that do if they themselves can’t avoid making the same mistakes? To a certain extent, however, there is still some entertainment value in the game of guessing which character is the killer while the possibilities gradually dwindle. Otherwise, neither the new (and not particularly likable) characters, the return of old familiar faces nor the gory (though unimaginative) murders hold much appeal.
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Matt Bettinelli-Olpin and Tyler Gillett are a proven duo (Southbound and Ready or Not were no fluke) and the return of the famous slasher franchise is a great success. Those with knowledge of previous episodes have an advantage, I've forgotten most of it, but thankfully it didn't detract from the viewing experience. New youngsters are introduced and old friends return, Ghostface is in great shape (the high bodycount is a plus) and he definitely knows how to use a knife, he makes his victims uncomfortable and in all different ways and angles, so definitely a nice show. The nice thing about Scream is that it's one of the few slasher films that follows absolutely all the rules of the genre, even shapes and plays with them. The detective-like hunt for the killer, where absolutely everyone is a suspect and nobody can tell with certainty who Ghostface is until the finale works very well here. The various allusions and winks to other horror films and the the occasional wisecrack are nice, and the explanation of why Scream is a Legacy-seqquel and not a sequel or prequel was downright brilliant and very apt. It's not a horror film to be scared at, although the suspense works, but as entertainment it's almost impossible to fault. Story 3/5, Action 4/5, Humor 3/5, Violence 4/5, Fun 4/5 Music 4/5, Visuals 4/5, Atmosphere 4/5, Suspense 4/5, Emotion 3/5, Actors 3/5. 8/10.
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The resurrection of Halloween made a fortune, so let’s try to resurrect Scream. This franchise is handicapped by the fact that it can make a killer out of anyone without any sophisticated motive, and that it is thus only a matter of a hiding place with would-be cool references to other horror movies and would-be sophisticated plays on genre clichés. The first one from 1996 was innovative in this respect. But the resurrection after 26 years without any progress in imagination is able to satisfy only with a decent number of slayings and the nostalgic return of the trio of original stars. Don’t expect effective scares and don’t be surprised if the characters continue to function relatively well after being stabbed in the gut with a big knife. Was there such silliness, delivered with a straight face, in the previous instalments?
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The good-ol’ Scream just like we remember and love it. The new team hasn’t fundamentally changed the functional formula that Scream has been following for decades, just updated it for 2022 and fleshed it out in an remarkable way. The first one poked fun at simple slashers, the second made fun of sequels, the third mocked the last parts of trilogies, and the fourth one was a commentary on the changes that had since taken place in the horror genre. As a de facto reboot, it poked fun at reboots and remakes, added some gore, and brushed up against the once-dominant found footage trend. But another ten years have passed and the fad now is requels/legacy sequels and elevated horror. So it's clear what the fifth Scream had to be and is about. It's a requel, commenting on its requeliness, and it's also a bit of elevated horror, since one of its central themes is the toxic fandom surrounding the Scream film franchise Stab. And I think it's all done really cleverly, entertainingly and in some parts quite boldly. The scene where one of the potential victims walks halfway through a house, filmed to include perhaps ten potential (and unfulfilled) clichéd jump-scares, is hysterical and accurately illustrates the playfulness with which Gillett and Bettinelli-Olphin approached the new Scream. The only small problem I have is with some of the acting, especially the main new character Sam and the family relationship issues attached to her, which I didn't care for. But still, the first good horror flick of 2022.
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The gap between the fourth and the "fifth" film was filled by the MTV series, but unfortunately, it didn't work. So, after 11 long years, we get another great Scream. The main trio is back - Neve Campbell, David Arquette, Courteney Cox, and Marley Shelton (and a few other casting surprises) from the fourth film. Current topics are requels, legacy sequels and elevated horror. Among the new faces, actresses Jenna Ortega, Melissa Barrera, Mikey Madison (that girl has Once Upon a Time in Hollywood and The Addams Family in her filmography, unreal), and Jasmin Savoy Brown did great. I also enjoyed it a lot thanks to the perfect atmosphere and the accompanying program in Edison.
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