Cinematography:
Brett JutkiewiczComposer:
Brian TylerCast:
Neve Campbell, Courteney Cox, David Arquette, Melissa Barrera, Jack Quaid, Mikey Madison, Jenna Ortega, Dylan Minnette, Jasmin Savoy Brown, Mason Gooding (more)VOD (4)
Plots(1)
Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past. (Paramount Pictures)
Videos (2)
Reviews (12)
(Spoiler alert!) For the fifth time, we hear "What's your favorite scary movie?" on the phone, and right at the beginning you ask yourself the question: Does a film, built on the same genre structure as its four predecessors, even have the potential to surprise and lure audiences into the theater anymore? The fifth Scream, and also the first without the late Wes Craven, has that potential. It should be mentioned beforehand that those who have not seen all the previous episodes cannot appreciate the latest outing of ghostface. The creators managed to artfully incorporate moments referring to the first four films into the story, while playing with genre expectations in a great way (close a door – nothing, close a closet – nothing, close another door – still nothing ... and suddenly you are stabbed), so despite the template-like structure, the latest Scream doesn't feel formulaic and manages to surprise. The identity of the two killers was not so surprising and you basically discover it during the attack in the hospital, which unfortunately convinces us that everyone is deadly. Yes, a couple of the murders really hurt! But the shocking revelation of the killers wasn't so much the point as paying homage to Craven and his legacy. Plus, it was good to see the old trio back together (the Gale-Dewey line really had an "onion" vibe), without which the younger and half-unseasoned cast couldn't have pulled off the film. Last but not least, I was surprised by the return of a character from "the other side". Three and three-quarters stars! PS: "Don't f*ck with the original!" PS2: Anyone who has seen Once Upon a Time in Hollywood will experience déjà vu at the end.
()
Ghostface is wreaking havoc again in Woodsboro, and the local kids cannot keep up with him. Not only veterans but also a young heroine with a dark secret have returned to the town. Is it possible that people are dying because of it? The new Scream comes with a new creative team and plenty of fresh ideas. Ironically, it's a bit lacking in the horror aspect, and the new characters aren't very engaging, but it makes up for it with a clever script that bends horror clichés in a very interesting way, plays with the genre, and this time even with the viewers and fans themselves. Very clever and very entertaining, probably the best thing we've seen in this franchise since the first one.
()
The resurrection of Halloween made a fortune, so let’s try to resurrect Scream. This franchise is handicapped by the fact that it can make a killer out of anyone without any sophisticated motive, and that it is thus only a matter of a hiding place with would-be cool references to other horror movies and would-be sophisticated plays on genre clichés. The first one from 1996 was innovative in this respect. But the resurrection after 26 years without any progress in imagination is able to satisfy only with a decent number of slayings and the nostalgic return of the trio of original stars. Don’t expect effective scares and don’t be surprised if the characters continue to function relatively well after being stabbed in the gut with a big knife. Was there such silliness, delivered with a straight face, in the previous instalments?
()
It laughs out loud at The Babadook, The Witch, and Hereditary for being pretentious bore and then lets us spend two thirds of the film watching close-ups of uninteresting people dealing with family relationships. It comes across as XXX-parody, because the film comes across as terribly cheap (like there's no money for extras at a high school or hospital) and the actors look like porn actors. And I don't mean that as an insult – they do really look like that.
()
All the participating creators obviously love Kevin Williamson and Wes Craven, so they pay them a hundred and one tributes, dig to the very bottom of the homage and really present a new Scream in all its glory. But the whole time you can tell that it's not exactly right, just like it wasn't right in 2000 when a different screenwriter came for the third installment and the lightness started disappearing immediately. Thanks for the return of all the legends, thanks for the fact that the meta flip of everything is still here, but maybe less would be more. The discussion about the direction of the genre, the point, and the fandom takes up almost half of the running time and undermines the series itself too much. Despite one fitting jump scare and a few nicely tuned moves, I am ultimately disappointed with the lack of tension, freshness, and overall novelty that even the underrated fourth one was bursting with. Additionally, the series resorts to steps it didn't have a reason to take before, and when discussing all possible identities of the killer at the end, it suddenly didn't matter anymore because any potential surprises had already been revealed. I don't welcome the planned sequel, it's terribly early as far as keeping healthy boundaries is concerned.
()
Ads