Directed by:
Quentin TarantinoCinematography:
Andrzej SekulaCast:
John Travolta, Samuel L. Jackson, Uma Thurman, Harvey Keitel, Tim Roth, Amanda Plummer, Maria de Medeiros, Ving Rhames, Eric Stoltz, Rosanna Arquette (more)Plots(1)
Jules Winnfield and Vincent Vega are two hitmen out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. Honey Bunny and Pumpkin are a couple of young lovers and small time thieves who decide they need a change of venue. The lives of these seemingly unrelated people are woven together in a wildly entertaining and exhilarating motion picture adventure that both thrills and amuses. (Miramax Films)
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Reviews (12)
The magic of Pulp Fiction doesn't fully hit you until you've watched it for the tenth or eleventh time and realise that you still can't get enough; whether it's the incredibly witty dialogue, the framed narrative, the performances, the pop culture nods, or simply the execution of each scene with a perfect sense of visual punctuation and musical underscoring. One iconic shot after another, the camera breaks down the space with the ingenuity of Thomas Edison, the absurd game with the motif of "twisted" coincidence is turned into an amazingly coherent experience and it makes you wish it lasted twenty or forty minutes longer. While from the most from the holy year 1994 I prefer the humane Shawshank, the clear winner in the field of cinephile delight is this Tarantino treasure.
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As far as I remember, Pulp Fiction was the first Tarantino film I ever saw, and it was love at first sight. An excellent film with an incredible number of great lines, a perfect cast, and an amazing plot. It's simply a film that grabs my attention right from the opening scene and doesn’t let go until the closing credits. Even now that I know exactly what's going to happen and when, and how it’s all going to end. A real treat!
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No, even after watching it several times, I just couldn't change the title of this film. The individual stories and scenes are so meticulously crafted that it's unbelievable this was made by someone who had only one film under their belt. The dialogue is impeccable, and acting-wise, Tarantino got exactly what he needed out of everyone. He is truly a master at making every scene perfect, and there is something breathtaking to be found in every scene.
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A handsome and sexy definition of pulp poetics that said everything it had to say, and also everything it could say. All plagiarism is just a useless repetition of the same thing - this is literally a biblically bloated folio. It was definitely Tarantino who popularized the atypical narrative form and brought into play all the declining pop-cultural emblems and mechanisms that until then had somehow remained on the fringes of generally accepted culture. The only flaw in the beauty of the Pulp Fiction poetics is that they go completely beyond me. But definitely Tarantino's best film.
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A breakthrough film of the 90s that gave birth to the Quentin Tarantino cult and marked the transformation of its genre. A skillful mix of violence and vulgarity combined with a clever screenplay that skillfully intertwines storylines and connects individual storylines. It became the most financially successful American film made in the 90s outside of major studios. Audiences appreciated Tarantino's inventiveness, as film production in the previous decade had been desperately sterile and unoriginal. They were fascinated by the raw violence and harsh lines that were unprecedented at the time. The film could rely on several stars who played their roles with great enthusiasm, with Samuel L. Jackson becoming one of the most sought-after actors. In this film, Tarantino capitalized on the thousands of hours he spent watching B-movies from around the world. It was evident that he could make something out of these ideas... Overall impression: 80%.
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