Directed by:
Kerry ConranScreenplay:
Kerry ConranCinematography:
Eric AdkinsComposer:
Edward ShearmurCast:
Gwyneth Paltrow, Jude Law, Giovanni Ribisi, Michael Gambon, Bai Ling, Omid Djalili, Laurence Olivier (a.f.), Angelina Jolie, Mido Hamada, Mark Wells (more)VOD (1)
Plots(1)
When mysterious giant robots begin attacking the streets of New York City, intrepid reporter Polly Perkins is on the story and enlists the aid of ace aviator and old flame Joseph "Sky Captain" Sullivan. Their mission is to find out who's behind these killing machines and stop a plot to destroy the world before it's too late. (official distributor synopsis)
(more)Videos (2)
Reviews (12)
A generously produced fan’s homage to film adventures. It has so many quotes and visual ideas that a day later I’ve already forgotten what it is supposed to be about. I didn’t get bored, for sure, and I admired the boldness of the creators that, notwithstanding the poor quality of the special effects, send the heroes into a relentless series of huge set-pieces, but by the end I was missing a more solid director power and I could no longer bear Gwyneth Paltrow, who has forgotten how to act and whose annoying character destroys the godly Angelina in five minutes. That said, it’s likeable bullshit with a filmmaking soul. 70%
()
The stylized visuals are complemented by excellent sound and a great orchestral soundtrack. However, the story lags a long way behind the quality of the technical aspects. Although it is completely obvious that this is intentionally naive as a dime novel, but perhaps they go too far. It’s nice that it was basically made by one person in his garage, but that is no excuse for all of the shortcomings. Another disappointment is Jude Law: he simply isn’t the heroic adventurer type. Conversely, the lately rather back-seated Paltrow seems to really enjoy her role as the journalist. Another plus point is the goading humor between the central duo which, luckily, works, saving a lot.
()
A lot of blinking, lively dialogues, and one big toy that I can't play with. Jude Law is forever a character actor for me who has nothing in common with a grinning action hero, and the cold Angelina Jolie is pure agony this time. The only significant advantage is that something is constantly moving, breaking, or flying on the screen, but in terms of how much was said about the film during its creation and how the creators boasted about it being a historic milestone, it quickly and deservedly fell into oblivion.
()
A deliberate essence of stupidity. I can’t understand why anyone would want to make something like this and why anyone would want to watch it. As an attempt at naive retro sci-fi it’s successful, as a film for the 21st century viewer is an epic fail. Listening to most of the dialogues felt like slow, painful death; if the film was half an hour longer, I wouldn’t have been able to write this review.
()
Yes, the film has a weak story. But to criticise it for that would be like being upset at the lack of dinosaurs in Schindler’s List. Because Sky Captain is pure fan pleasure whose main asset is what Star Wars has, which is something that 90% of current Hollywood productions lack. Sky Captain is a beautiful tribute to old movies, with pleasant humour, great heroic music and likeable protagonists (Jude Law and Angelina Jolie are excellent; only Gwyneth Paltrow seemed to me to be a bit unsure of what she was supposed to be doing). The sets need no comment; the Tibetan “recreational” valley reminded me of Rivendell from The Lord of the Rings. I was almost moved at moments. The only thing that prevents Sky Captain from being perfect is the lack of a specially adapted black-and-white version. P.S. The film points to an era in which flesh-and-blood actors will be replaced by digital facsimiles in films.
()
Ads